I'll be heading to Shanghai on Tuesday, without much time to do any outdoor PX-100 shots because of the rainy weather, I thought I would post this report not later but now.
(PX-100 indoor, light bulb, 1 and 2 stop lighten on wheel, 25-28°C)
My PX-100 test films are definitely made between end of March and early April because I am experiencing the nasty LLP (Loose Lamination Problem) as The Impossible Project coined it. The developer paste leaks almost in every picture taken and I had to clean up my SX-70's roller between each film pack switch. Luckily The Impossible Project is taking it seriously to compensate by giving out credits for each verified "damaged" image. Looks like the problem is fixed for newly released films.
(PX-100 indoor light bulb vs indoor sunlight, 25-28°C)
As reported by many, including my beloved Mijonju Show, the film is extremely sensitive to temperature and my shots were all taken over the recommended temperature range (17-24°C), so you will find these images quite dark and brownish (refer to The Impossible Project's 9 Quick Steps For Optimized Results).
(PX-100 sunlight filled indoor setting, 2 and 1 stop towards white on lighten/darken wheel, 25-28°C)
I like the color though, very chocolate, woody and vintage. The scans you see here is actually showing more contrast than the real thing though. To compensate the over temperature effect, I took shots with the lighten/darken wheel turned to at least 1-2 stops towards lighten.
(PX-100 short vs long exposure, 25-28°C)
One thing I noticed from these test shots is that the longer the exposure time is, the less apparent the roller's impression shows on the picture. See if anybody can verify this.
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